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I’ve written a piece for Ariel, the BBC’s in-house magazine, about the experience of making an audio slideshow containing a megamix of performances and recordings of John Cage’s 4.33.

• Me on other Christmas singles: Killing In The Name; Hallelujah; Fairytale Of New York
• Photo taken in Black Swan Arts gallery in Frome

A rapid-response piece for the Guardian about Primal Scream’s outrage over being played at Conservative party conference:

“But whoever initially misidentified the music must have a tin ear. Bohemian Like You sounds like a Rolling Stones megamix with an emphasis on One Hit (To The Body) off Dirty Work, while Rocks sounds like a Stones megamix with an emphasis on Little T&A off Tattoo You.”

I am also compiling a Big List of all music played at all party conferences, politicians’ Desert Island Discs, etc. This will help.

• My look at David Cameron’s choice of Benny Hill’s Ernie in his Desert Island Discs
• Image of some Rocks taken in Staithes, Yorkshire
• The tin ear has since been assigned to Kerry McCarthy [PA]

As the countdown to the 2012 Olympics kicks off with an unlikely theme song, I look London Calling and its zombies and heroin for the BBC.

“The Clash were supporters of pirate radio and considered launching their own station; this love song to the wireless signal recounts what, in punk terms, is up-to-the-minute and truthful news. But it isn’t saying ‘come and enjoy the canoe slalom’.”

Major hoorays to Marcus Gray’s Route 19 Revisited for the key fact that London Calling was originally inspired by Joe Strummer’s dislike of sports fans visiting London, as he explained to Kosmo Vinyl (Clash On Broadway box set booklet, 1991). Awkward [Update [1 Aug]: Praise be! Route 19 is imminently in paperback. There is nothing more interesting to say about 1979; I know – I tried! Buy it – it is The One.]

Sadly there was no space to mention Clash fan of Indian origin Harraj Mann, questioned in 2006 under the Terrorism Act after a taxi driver taking him to Heathrow airport became alarmed that he was listening to London Calling and called the police. The incident was seen as a massive overreaction, suggesting either that the song has lost its incendiary power, or that the authorities were being over-cautious – or both.

Also neglected was the way Strummer starts “doing” Tommy Steele’s Singing The Blues at the end (“I’ve never felt so much a-like…”), never better described than by Tom Ewing: “No consonant is safe with Steele around, words pool into one another in a shrugged gush of pre-meditated moodiness.”

Update [30 Jul]: Here is wireless nabob Scott Simon of NPR’s Weekend Edition Saturday yakking with me (see also NPR’s blog The Record):

• Image of comedy London punks in Westminster, 2006. It turned out, as they snarled at me, that I’d broken some implied contract where I’d pay to photograph them in a public place.
• Here’s an old BBC “London Calling” poster: “Throughout Europe, men and women are risking imprisonment, and even death, to hear the news from London, because they know it tells them the truth.”
• Some overlap with an earlier piece I wrote about (White Man) In Hammersmith Palais.
• People who like to know about mixing an instrument DI with a Neumann U87 on the cabinet will appreciate Mix’s Classic Tracks feature on the song; this BBC audio slideshow on the London Calling album is less abstruse.

Radio 4 listeners have chosen Queen’s opera-headbanger as their favourite Desert Island piece of pop; I explain all in a feature for the BBC News Magazine, What is a Bohemian Rhapsody?:

“Freddie Mercury used a piano as the headboard of his bed. The double-jointed Mercury would awake with inspiration, reach up and back behind his head and play what he’d heard in his dreams. This was how Bohemian Rhapsody began.”

Update [22 Jun]: Here is Scott Simon of NPR’s Weekend Edition Saturday yakking with me about Bismillah and Scaramouche:

• Other florid lyrics I have enjoyed dissecting: Flowers In The Rain; A Whiter Shade Of Pale.
• More American public radio below; I discuss Daniel Powter’s Bad Day [article here] with John Schaefer on WNYC’s Soundcheck.

• Photo taken at the Alhambra in Andalucía‎ and included in tribute to Dr Matthew Beaumont‘s evocation of Moorish architecture. [More Beaumont in his book with Patrick Keiller, Chris Petit, Iain Sinclair et al, Restless Cities.]

Inspired by my own article about Google-proofing the pub quiz, I am resurrecting Just The Gist.

This was – and now is again – a music quiz where you guess the song title based on a precis of its narrative content. This is a “soft launch”. Later, there might be themes and prizes and that.

Inevitably, it takes place on Twitter: @justthegist.

Update 1 July: Answers, archives, video and extra at the Just The Gist tumblelog.

I made an audio slideshow for the BBC about this year’s X Factor-botherer, 4.33. Headphones recommended, and you have to click on the link or image to get there.

• Me on other Christmas singles: Killing In The Name; Hallelujah; Fairytale Of New York.
• Photo taken in Black Swan Arts gallery in Frome.