The Dylans decamped to rural New York state for some peace. They didn’t get it. The presence of Bob Dylan gave the tiny town of Woodstock such countercultural kudos that its name was given to an “aquarian exposition” – the famous 1969 festival in a neighbouring county which didn’t feature Dylan, but did bring half a million people into his back yard.
For some of them, “Dylan’s back yard” was no metaphor, and they never went away. The Dylans soon wearied of finding hippies in the trees around their home and Dylan became frightened that he might have to use his “clip-fed Winchester blasting rifle” to keep them from his family. Onwards, then, to an Arizona ranch.
Tomorrow night, Live From Television Centre, a four-play theatrical collaboration with Battersea Arts Centre, is on BBC4.
A piece about the origins of Louie Louie and the FBI’s investigation for the BBC News Magazine.
The Kingsmen noticed that their audiences now included middle-aged men in suits and shades and were soon questioned by the Feds, apparently being told: “You know we can put you so far away that your family will never see you again.”
They insisted that Louie Louie was innocent, but as ardently as they’d sought reds under the bed, and over the course of two-and-a-half years, the G-Men contrived a series of eye-wateringly unpalatable images and practices from Ely’s mumbles.